Installation for Over the Edges, 2000 (curator Jan Hoet). The integral flaking off side-façade of the neoclassicist Academy for Fine Arts in Ghent has litterally been fixated with an adjusted emulsion, a special high-gloss varnish. More than ever or than in any of my other photographic work, image, representation and ‘reality’, meet, coincide, converge. Is this the ultimate projection, the only ‘real’ photograph? Still in situ, Academiestraat, Ghent.